Pyarge Aagbittaithe... A different way of saying, I’m in love.. Yes in indeed I’m in love, After a very long time I have truly liked a song from a mainstream Kannada movie. That too for so many elementary reasons like the lyrics, the rendition, voice of the female singer and music.
The song from the Movie Govindaya Namaha, starring Komal as Hero and newcomer as Heroine, has forced me to take a refreshingly new view towards the Kannada movie. The song carries an unique richness and touch of class which all the while missing in our movies. The director takes us on a journey through Indian Cinemas, right from the setup of the classic B&Ws, the Eastman Color to the present Digital Colors, and makes a striking expression on How the essence of Love and grandeur is expressed in our songs.
The music starts from the old Indian cinema music, with only the harmonium and a few other instruments like the tabla and shahanai, and gradually moves on to the digital beats, again not losing the tune and essence of the song but just enhanced beats and upped tempo. For a long time the music of kannada industry movies have been stuck in their own genre/style of music which I broadly classify as the Mungaru Male, Kariya and Duniya, and Nigam and GanjaWala styles, after so many stereotypes and mimicry this one is really refreshing. I have make a special mention of the female voice in this song, I don’t know if it’s the effects or the knack of the singer or both, but it reminds us of Shamshad Begum when the song starts of in the B&W era.
Lyrics of the song to are catchy, and the unique blend of Urdu and Kannada has made every it funny and has added to the songs aura, in fact overshadowing all other aspects of the song.
Komal, is at his usual funny best, one real good comedian in the Kannada industry. The heroine is absolutely stunning; she pulls off every look in the song from being a laila in the salwar kameez to a shiela in a Arabic belly dancer’s costume. Also her expressions are very apt and I’m not sure whether or not she understands the songs’ lyrics but full marks for the director and the heroine for the exotic look and sensual expressions and timing,… especially when she does that Nakko nakko ,… part.
Never before have I seen, or at least liked such richness and a successful amalgamation of talent in various aspects of movie song making, in Kannada Movies lately, and I’m glad that such freshness and talent is being equally encouraged, the video has spread across Facebook and has gathered suitably good number of views from people who understand kannada at least. This song stands out as a great example to all those detractors of Kannada Movies, and also to those hardcore kannada Movie patrons, that rightful talent is always recognized in its suitable size and reach.
The song from the Movie Govindaya Namaha, starring Komal as Hero and newcomer as Heroine, has forced me to take a refreshingly new view towards the Kannada movie. The song carries an unique richness and touch of class which all the while missing in our movies. The director takes us on a journey through Indian Cinemas, right from the setup of the classic B&Ws, the Eastman Color to the present Digital Colors, and makes a striking expression on How the essence of Love and grandeur is expressed in our songs.
The music starts from the old Indian cinema music, with only the harmonium and a few other instruments like the tabla and shahanai, and gradually moves on to the digital beats, again not losing the tune and essence of the song but just enhanced beats and upped tempo. For a long time the music of kannada industry movies have been stuck in their own genre/style of music which I broadly classify as the Mungaru Male, Kariya and Duniya, and Nigam and GanjaWala styles, after so many stereotypes and mimicry this one is really refreshing. I have make a special mention of the female voice in this song, I don’t know if it’s the effects or the knack of the singer or both, but it reminds us of Shamshad Begum when the song starts of in the B&W era.
Lyrics of the song to are catchy, and the unique blend of Urdu and Kannada has made every it funny and has added to the songs aura, in fact overshadowing all other aspects of the song.
Komal, is at his usual funny best, one real good comedian in the Kannada industry. The heroine is absolutely stunning; she pulls off every look in the song from being a laila in the salwar kameez to a shiela in a Arabic belly dancer’s costume. Also her expressions are very apt and I’m not sure whether or not she understands the songs’ lyrics but full marks for the director and the heroine for the exotic look and sensual expressions and timing,… especially when she does that Nakko nakko ,… part.
Never before have I seen, or at least liked such richness and a successful amalgamation of talent in various aspects of movie song making, in Kannada Movies lately, and I’m glad that such freshness and talent is being equally encouraged, the video has spread across Facebook and has gathered suitably good number of views from people who understand kannada at least. This song stands out as a great example to all those detractors of Kannada Movies, and also to those hardcore kannada Movie patrons, that rightful talent is always recognized in its suitable size and reach.
A very catchy song indeed !
ReplyDeleteYou forgot to mention about the hotness about the heroine. Brings in a lot of oomph to the song.
ReplyDelete